True Crime, or Fact Stranger Than Fiction

We're in an era when the lines between fact and fiction, truth and falsehood (alternative facts for some), seem more blurred than usual. When it comes to murder, the fictional tale is certainly easier to swallow, with mysteries solved, with good and evil clearly delineated, and with resolution cathartic and triumphant. On the other hand, the best of the true crime genre, going beyond prurient and sensational tabloid fare, exposes disturbing realities and forces readers to consider tough questions involving family, society and justice--often without clear answers. Consider Kate Summerscale's The Wicked Boy: The Mystery of a Victorian Child Murderer, winner of the 2017 Edgar Award for Best Fact Crime Book. In 1895, Robert Coombes (age 13) and his brother Nattie (age 12) kill their mother and go on a 10-day spree--eating at coffee houses, visiting the seaside and attending the theater. When their mother's decomposed body is finally discovered in an upstairs bedroom, Robert coolly confesses to stabbing her, while Nattie takes a plea and gives evidence against his brother. In his insanity defense, the court hears testimony about Robert's severe headaches, his fascination with violent criminals, and his passion for "penny dreadful" pulp fiction violence. He seems to feel no remorse, his laughing courtroom demeanor chills, and neither the prosecution nor the defense can find a motive. He is sentenced to Broadmoor, the infamous criminal lunatic asylum. Released as an adult, he moves to Australia and joins the army during World War I, becoming a band leader and stretcher-bearer, and earning medals for his courage under fire. He also later informally adopts a neighbor’s child when he sees the child abused. The journey from child killer to wartime hero is one of the tale's great mysteries, certainly unimaginable by Victorian theories about the "Wicked Boy." Another impressive fact crime book about the same time period is The Devil in the White City by Eric Larson, intertwining the story of the architect of Chicago's 1893 World’s Fair with one of the earliest serial killers, contrasting harbingers of our "modern" age. I also loved Midnight in the Garden of Good and Evil by John Berendt, a Southern Gothic murder set in Savannah, GA, high society. And of course, there's In Cold Blood by Truman Capote, the 1966 classic that launched the genre with an exploration of a family massacred in a small Kansas town and the dark hearts of two killers, a great read even if later criticized for sacrificing factual truth to storytelling truth. For more examples of top true crime writing, see https://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/73638-the-10-best-true-crime-books.html

Our Obsession With True Crime Tales

True crime stories, especially those focused on possible miscarriages of justice, are making their own headlines right now, and I admit to binging on Netflix's controversial "Making a Murderer," which raises questions of official misconduct in the murder convictions of Steven Avery and Brendan Dassey; the "Serial" podcast about Adnan Syed's 15-year-old murder conviction, which helped win him a hearing to seek a new trial; and now the FX miniseries about the O.J. Simpson case. Add in the growing number of TV true-crime series and fictionalized crime shows, and you may see a new addiction to televised reality mayhem. True-crime writing, on the other hand, is an old genre, littered with both lurid hack jobs and Pulitzer Prize-worthy insight. On the list of must-reads, I would recommend Pulitzer-winning The Executioner's Song by Norman Mailer about murderer Gary Gilmore's life and death; Edgar Award-winning The Devil in the White City, in which Erik Larson chillingly parallels a 1893 Chicago World's Fair architect building the fair's White City with serial murderer H.H. Holmes building a murder castle; Helter Skelter, Vincent Bugliosi's famed take on the Manson murders; The Onion Field, LAPD veteran Joseph Wambaugh's gripping tale of a policeman murdered in a Bakersfield onion field and its aftermath; In Cold Blood by Truman Capote, a literary exploration of the tragic intersection of two killers and a rural Kansas family; Homicide by David Simon, creator of "The Wire," about real detectives on the mean streets of Baltimore; and Mind Hunter by John Douglas, the eminent FBI profiler's exploration of twisted criminal minds. All have had tremendous impact. But before you jump into the grim details, you may want to ask yourself why you can't resist peeking at gory crime scenes and disturbed minds. See if you recognize yourself in these theories about our true-crime obsession by best-selling authors, journalists, psychologists, sociologists, movie directors and more: http://www.hopesandfears.com/hopes/now/question/216997-why-are-people-obsessed-with-true-crime

Christmas Magic Inspires Classic Mystery Writers

It's almost Christmas, and, for mystery lovers, that means a slew of seasonal mysteries. Besides all the "cozy" murder tales rife with small-town festivities and pie recipes, the holiday has inspired some classic mystery authors. For example, Agatha Christie penned Hercule Poirot's Christmas: The Belgian detective, spending Christmas with a friend in an English village, offers to help the Lee family solve the bloody murder of a tyrannical patriarch at their holiday family reunion. Christie also wrote The Adventure of the Christmas Pudding, a gathering of short mysteries featuring Poirot and her other beloved sleuth Miss Marple. If Christie doesn't satisfy your thirst for British Yuletide mayhem, you can curl up with Silent Nights: Christmas Mysteries, a short-story collection of vintage British mystery writers' holiday-themed tales. For a more recent holiday mystery offering, read New York Times bestselling author Anne Perry. Perry writes a Christmas-themed mystery each year, and this year's 13th seasonal tale is A Christmas Escape: On the Mediterranean island of Stromboli, protagonist Charles Latterly arrives at a small hotel hoping that the island’s blue skies will brighten his spirits. Although orphaned teenager Candace Finbar helps introduce lonely Charles to the island's beauty, his fellow guests turn out to be unhappy, quarrelsome, suspicious company. As the local volcano stirs ominously, a body is found, and Charles suspects a killer among the other guests. Now, for those readers who want to focus on the mystery of Christmas without the murder, check out this list of the 50 best Christmas books for adults or kids, ranging from A Christmas Carol by Charles Dickens, O. Henry's The Gift of the Magi, and Truman Capote's A Christmas Memory, all the way to Dr. Seuss's How the Grinch Stole Christmas: http://www.stylist.co.uk/books/50-best-christmas-books