Avoiding Cliches in Mystery Plot Twists

There's nothing worse than a mystery "plot twist" that you can see coming for many chapters ahead. There is an art to the plot twist that requires writers to avoid the obvious (the cruel stepfather) and gimmicks ("it was just a dream") and then to plant clues that obscure, redirect or contradict suspicions so that the final twist surprises and impresses readers by fitting the right puzzle pieces into a believable solution. Although there are very few plot devices that are completely original, some plot twists slip more easily into cliche if attempted by less skilled mystery writers. Here are some of my pet peeves. The first is a mystery tale that, in a desperate effort to create a twist, injects some last-minute new suspect, deus ex machina event, or unrealistic "coincidence." This abuses the basic mystery-solving pact with the reader. But I'm equally irritated by authors who create so many suspicious characters, red herring clues and dead-end turns that following the plot line becomes mentally exhausting. Then the eventual solution of the mystery goes from an "aha" moment to an "at long last" moment. Plot twists often focus on one of four characters: the victim, the suspect, the detective or the narrator. For victims, there's the old "I'm not really dead" resurrection (usually because the victim was trying to fool the law, an enemy, a loved one or an insurance company). Other victim surprises include mistaken identity or a twin/doppelganger killing. In the wrong hands, the not-a-real-victim twist undermines the mystery and reader interest. When it comes to suspects, plot surprises often involve a guilty "but who would ever think" character (the granny, the kid, the pretty girl) or a not-guilty "but sure looks like a villain" character, a la Harry Potter's Professor Snape. Writers can unwittingly flag a suspect by overly disguising a character as either too nice or too nasty. When it's the detective who delivers the plot twist, a dusty ploy is the surprise appearance of a character or motive from the detective's "tortured past." That so many fictional detectives are tortured (alcoholics, loners, etc. ) is another cliche worth discussing elsewhere! Finally, there's the "unreliable" narrator. This plot device has created some classics, like Agatha Christie's The Murder of Roger Ackroyd or Gillian Flynn's Gone Girl, but it's not easy to pull off (please don't have the killer's creepy italicized commentary throughout a story). And finally, it is not really a plot twist when a death ruled to be accidental or a suicide turns out to be (shock) a homicide. We know we're reading a "murder mystery" after all. For some examples of mysteries with critically acclaimed plot twists, see the https://the-line-up.com/plot-twists-books

When a 'Bad' House Joins the Cast of Suspects

Without giving away my next mystery plot, I can reveal that a strange old house is going to figure among the murder "suspects." I'll be drawing in part on memories of an old Victorian home that my parents rented briefly when I was a teen. The "gray elephant," as they dubbed it, had many unsettling quirks. For example, my bedroom was upstairs at the back and was pierced by four doors: a door from the upstairs hall, a door to the servants' stair from the kitchen below, a door to a cavernous closet under the eaves, and a door to narrow steps up to the attic. At precisely 2 a.m each night, all those doors, if not firmly closed, would open together on their own, with eerily groaning hinges and sighs of musty air from their black portals! It was definitely scary, and it became my nightly ritual to carefully check that every door was tightly shut before climbing into bed. There was probably a logical explanation, but it was natural to suspect unseen, hostile forces. And like most old places, the house had its share of unhappy past occupants and deaths. Many people believe houses can develop a "negative energy," whether paranormal entities or the lingering aura of past residents. Just witness the success of modern "paranormal investigators," feng shui planners, and the "space clearing" services featured in a June article in the elite New York Times. I don't believe the old "gray elephant" was haunted in the usual sense, but it did seem to have the sort of dark magnetism that would repulse positive, upbeat buyers and so favor unhappy histories. I will leave it to future readers to decide whether my fictional house is the cause or the result of unpleasant human energies. Have you ever experienced a "bad vibe" house? If so, for a rather tongue-in-cheek NYT article on space clearing, see http://www.nytimes.com/2013/06/06/garden/scrubbing-the-house-right-down-to-the-vibes.html?pagewanted=all&_r=0