When Gender Roles Change, Does That Change Fiction?

Two consecutive events got me thinking about gender roles and writing: On Nov. 16, my book club discussed Herman Wouk's novel Marjorie Morningstar, and on Nov. 17, Doris Lessing, author of The Golden Notebook, died. The assumptions about gender roles in the two works represent quite different views. Published in the 1950s and set in the 1930s, Marjorie Morningstar tells the story of a young New York Jewish girl who rebels against social expectations and dreams of becoming an actress, only to end up (chastened by lost illusions and lost virginity) as a conventional (but happy) wife and mother. It is a book that reflects the traditional views of my mother. Moving on to the 1960s, The Golden Notebook's protagonist is a writer and single mother, Anna Wulf, whose psychic fragmentation is expressed in the novel's format of story interposed with Anna's notebooks: a black notebook for her youth in Africa, which formed the basis of her one successful novel; a red notebook for Cold War politics and her disillusion with Communism; a yellow notebook for a fictionalized self; and a blue notebook as an intimate diary. Anna seeks to weave together all the pieces of her reality in one "golden notebook." A favorite of feminists at the time, the book deals frankly with female sexuality, work, love, men, marriage and motherhood. It is a book that echoes many of my feelings as a working wife and mother at a time when gender equality was an unrealized dream. Fast forward to the 21st century. "We've come a long way, baby," and the majority of millennial women (which includes my daughter) tell researchers that they believe they live in a world without gender barriers, where they can have both a rewarding professional career and a fulfilling personal life. "Balance" is their mantra, with seven in 10 listing a "work/life balance" as an important quality of the successful female business leader. So successful writing now must create female protagonists who transcend gender roles. But that's actually nothing new. Both Marjorie Morningstar and The Golden Notebook are really about the desire for, and obstacles to, self-realization regardless of gender--which is why the books continue to be read despite some sweeping social changes. To quote Doris Lessing: “What's terrible is to pretend that second-rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.” Current and future generations still face those issues; gender bias simplified or complicated but did not remove such challenges.