Can Illegitimacy Drive Modern Mystery Plots?

Illegitimacy and the consequential stigmas of extramarital children have played a key role in the works of great authors, including Shakespeare, Voltaire, Austen, Dickens, Tolstoy, Dostoyevsky and Hardy, to name but a few. Some noted mystery writers also have used out-of-wedlock birth as a plot centerpiece, including Wilkie Collins' The Woman in White and Dorothy L. Sayers' The Nine Tailors. But there's no arguing that times have changed. As of 2015, 40.3% of all births in the U.S. occurred outside of marriage (compared with 7% in 1940). And today's illegitimacy rates are even higher for most European countries. The majority of births (over 50%) are outside of marriage in Iceland, Estonia, Bulgaria, Slovenia, France, Norway, Sweden, Denmark and Portugal, and nearly half of births also are extramarital in the Netherlands, Czech Republic, United Kingdom, Belgium, Hungary, Spain, Austria and Finland. As out-of-wedlock birth has become more commonplace, the social and legal status of illegitimate children, unwed mothers and cohabiting couples has improved. In the United States, for example, U.S. Supreme Court decisions in the 1970s found that most legal disabilities imposed on illegitimacy violated the 14th Amendment's equal protection clause. Yet extramarital children can still provide mystery writers with murder motives. Even the old "Secret Shame" plot can be updated. For example, while illegitimacy alone may no longer be as socially unacceptable, illegitimacy resulting from other taboos--such as incest, rape or even adultery--can create a secret that someone will murder to conceal or avenge. Another plot device that still resonates is "The Unwanted Heir." When there is an inheritance to divide, even legitimate siblings can turn on each other, and a family outsider who stakes a claim can spark more than rude confrontations. "Cain and Abel" is one of the oldest plots around, so it's easy to imagine bitter feelings between marital and extramarital siblings going to lethal lengths as they vie with each other for social status, financial gain or parental affection. Finally, there's the traditional "Revenge" plot. Although many loving couples raise happy children outside of marriage today, there are less sanguine situations in which the violent feelings of a spurned lover, a betrayed spouse or an abandoned child can lead to murder. For more famous fiction works with an illegitimacy theme, see https://en.wikipedia.org/wiki/Illegitimacy_in_fiction

There are Still Taboos for 'Good' Characters

Many old taboo writing topics--sex, race and religion--have gone mainstream in genre fiction and popular best-sellers. But there are still lines authors of popular novels hesitate to cross, especially for "good" characters. For example, a male character who engages in unmarried sex or homosexual relationships is now more acceptable as a hero, but a rapist or pedophile repulses and must be brought to justice. A female character can reject marriage and support abortion without offending the majority, but if she embraces incest, she loses reader empathy. A protagonist may be opinionated and volatile--as long as outbursts are not racist, sexist, elitist or offensive to some group stereotype. Sexual antics can be described in detail without being called pornographic now, but other bodily functions are still taboo--even when writers try to spare sensibilities by "latinizing," as if characters who defecate, flatulate, regurgitate, and masturbate have less ick factor. Other no-nos are more surprising. Americans have become so sensitive about weight issues (even though we are one of the most obese populaces) that "fat" seems to have joined "retard" and "Negro" as taboo epithets. Many Americans also are such animal lovers that any character who doesn't like animals is unsympathetic, and animal killing is seen as a mark of depravity. Aging is another taboo; if the protagonist has to be over 50, no one wants to know about sags, bags, wattles, flab, flagging sex drive, or any other ills that aging flesh is heir to. Older heroes and heroines must be preternaturally lively and attractive, yet redeemed from shallowness by experience, the only positive of added years in our culture. But probably the biggest taboo of all is normality. Today's protagonists embrace "exceptionalism," as the conservative politicos say of America. Middling looks, middling intellect, and middle-class background, even if thrown into exciting circumstances, aren't going to win fans. Give a main character an exceptional skill, a shocking secret, or a unique personal challenge to engage readers. Have we stopped believing that ordinary people can achieve extraordinary things? For advice on writing about taboo topics, see https://litreactor.com/columns/storyville-writing-about-taboo-subjects

Cultural Mystery: One's Taboo Is Other's Custom

Mystery novels focus on the eternal conundrums of violence and justice, on solving the who, how and why behind legally and socially taboo acts--so we often assume a fundamental agreement on what is illegal or immoral. However, readers with an appetite for global mysteries need to be aware that one country's taboos can be another's customs. For example, polygamy is taboo in the United States (despite TV series on Mormon sister-wives), but Islamic cultures accept that a man can have up to four legal wives. Pedophilia is illegal and repugnant here, but child marriage and child prostitution are tolerated globally; in Greece, for example, pedophilia is defined as an "ailment" rather than a crime. Incest of the father-daughter, mother-son and brother-sister type is pretty much a universal no-no today, but laws on incest still vary within the United States when it comes to first-cousin marriage and even uncle-niece/aunt-nephew relationships. In the Netherlands, France and Spain, sex (as distinct from marriage) between consenting adults is legal no matter how closely related. Well, at least all societies agree that murder is wrong. Not really. Cultures differ by ignoring, condoning or punishing leniently homicides that the community has deemed justified: "Honor killings" in South Asia and the Middle East and "crimes of passion" in Latin America are examples. The "stand your ground" defense in some U.S. jurisdictions has sparked similar controversy and condemnation by human rights groups. For U.S. taboos that are considered acceptable in other countries, see http://www.buzzfeed.com/natgeo/lifestyles-that-are-taboo-in-the-us-but-are-okay-5n1c