How Mystery Writers Can Color in Emotion

Passing through a bookstore, I noted the now-common section devoted to adult coloring books, and I began to think about the role of color in fiction writing, including mysteries.  Color has a proven ability to evoke emotion; there's a reason fast-food logos and ads lean toward appetite-stimulating red and yellow, business materials opt for a trust-inspiring blue, and European prisons paint their walls a calming pink. But the power of color is not limited to the visual arts, online and offline advertising, or interior decor. When we read, we create pictures in our minds, and mystery authors' descriptions of settings, characters and clues are rarely black-and-white snapshots. The color of a suspect's dress, the colors of a winter forest or tropical jungle, or the color of a murder-scene carpet can offer both symbolic meaning that enriches the plot and clues to solving the mystery. A character's color choices can be used to reveal personality traits or emotional states, for example; note that psychiatrist Carl Jung found that introverts and extroverts prefer different colors--blue and red respectively. So if the writer introduces a woman wearing red, she probably does not want to be a wallflower. Sometimes the contrast between color choices and character hint at deception or conflict. Is the big guy in a pink shirt just supremely confident, disguising his aggression or hinting at a less masculine side? Doubt that color has a place in even the most "noir" of mysteries? Consider color's frequent evocative use in mystery titles. As an example, Walter Mosley's Devil in a Blue Dress sets up tension before the first page by pairing the evil and power of "devil" with the trustworthy and inviting aspects associated with "blue." Meanwhile, P.D. James' The Black Tower purposely paints the tower black--the color of power, death, and evil--to create a looming gloom.  (For the literary, it also evokes W.B Yeats' poem of the same name where "in the tomb the dark grows blacker.") Some mystery writers even make color a title theme, such as Ann Cleeves' Shetland series, which includes Blue Lightning, Red Bones, White Nights, and Raven Black. John D. MacDonald's Travis McGee series uses color in all 21 titles, starting with The Deep Blue Good-by through National Book Award-winner The Green Ripper to the final The Lonely Silver Rain. One caveat on coloring fiction prose: Be aware that color psychology differs by culture. For example, white is the color of purity and innocence in Western cultures and the color of death and mourning in Eastern cultures. For a quick overview of color psychology, see http://changingminds.org/disciplines/communication/color_effect.htm

On Father's Day: Fatherhood, Filial Duty in Flux

Father's Day is on its way, and I will be getting in touch with my 90-year-old dad, and my adult children will come home to celebrate their own father. Fatherhood certainly has changed significantly since celebration of "Father's Day" gained U.S. popularity in the early twentieth century and even since it became a fixed national day of recognition in 1972. Today's fathers are no longer the married breadwinners and disciplinarians of yore; they are also single dads, gay dads, stay-at-home caregiver dads, adopted dads, step-dads, and even transgender dads like Caitlyn Jenner. Overall, modern fatherhood trends are a good thing, since research shows that fatherly love is as important to a child's social, emotional and cognitive development as motherly love, and new fathering norms allow for greater care giving and interaction than in the past. But it seems to me that something also has been lost in the last century, and that is the concept of filial duty. America's current youth-oriented, self-fulfillment culture has relegated many filial duties to the moral dustbin with wifely obedience and whipping naughty children. You have to go to conservative religious tracts to read about children's duties, into adulthood, to honor, respect, obey, and take counsel from parents, and then care for them in old age. Is this erosion of filial responsibilities a good or bad trend for American society? Yes, government programs and professional caregivers have actually improved conditions for many older parents compared to past reliance on private filial care and financing. But what about emotional and social consequences? Well, junking fatherly input is probably fine for children with stifling, abusive or neglectful fathers; but it may not be so good for those whose loving dads could impart confidence, ethics and the wisdom of experience. Yes, we have a more creative, open society if unfettered from conservative parental tradition; but lack of parental guidance also can create a society adrift, without communal morality or understanding of its past. So while I'm definitely not advocating a return to patriarchal rule, perhaps we should salvage a bit of what was best about the "good old days" on this Father's Day. I'll try harder to show dear old dad how much we honor him and care about him, even if we don't follow the old requirement to physically care for him. More important, I'll try harder to heed the lessons earned by his longer years--right and wrong. For a glimpse of what other cultures can teach us about honoring elders:  http://www.huffingtonpost.com/2014/02/25/what-other-cultures-can-teach_n_4834228.html